is full of ghost stories
faded yearbook photos
of dreams that died
on loose gravel
the sun shining
on our failures
just hanging there
like a rusty hubcap
nailed to the cross.
John Dorsey lived for many years in Toledo, Ohio. He is the author of several collections of poetry, including Teaching the Dead to Sing: The Outlaw's Prayer (Rose of Sharon Press, 2006), Sodomy is a City in New Jersey (American Mettle Books, 2010), Appalachian Frankenstein (GTK Press, 2015) and Being the Fire (Tangerine Press, 2016). He is the current Poet Laureate of Belle, MO. He may be reached at firstname.lastname@example.org.
Maybe it was just the light,
cracked somewhere, leaked out,
lucky—I thought you shifted away
in voice, my mouth to hear,
Be honest now—
just for a minute; I cried.
I had him locked out—
a perfectly good wish.
Privately, for over a year now you drove off and left me.
The place cooled down beaming and bright—
put my name on a silencer (it’s not the end of the world).
Only a true spell
of fittingly glamorous phenomena
repaired sunstruck imagination—
The Nazis are back in town.
No, I know. They never, ever left.
The things I never said, I said them like a man.
Like a man I insist I never said those things.
And afterwards I will assert I never said the second thing,
layer on layer of vow, disavowal. And what I believe,
you shall believe; there is only one thought and it is me.
My smell wipes across the thought of him. Crying in a pin stripe business suit. There was an accident. Perfect bodies lose perfection like melting ice. Crowns of thorns are passed out, metal trinkets to place in private. Kiss the blood rolling down.
I keep having this dream where
the white man isn’t angry
the black man entered
the white house.
There is a cabin by the bouldered beaches
of Northern California,
where the pines practically toe the foam.
This is where he’ll go, and off will come
his tailored suits,
his lacquered shoes,
his streak of blood-red tie.