I have to be honest. Even with a few dozen guns to my head, I don’t think I could choose just one decade for horror movies. If you ask me, it can’t be done, man.

There are decades that I like more than others. What I can’t do is choose the 70s over the 80s, or the 90s over the 60s. Or any decade over them all.

Pets and a garden work wonders as allies through transitions. I don’t mean large ones, like a death or a move or a birth, though I’m sure they’re good during those too, I mean quotidian ones to which you’d think you’d be able to adjust all by yourself, but in fact, without soft allies, you don’t.

The children appear from the edges. Their faces set. Their bodies are covered in iridescent powders that shimmer in hues that could only be seen in dreams. We have been gathered in the square to wait. Our kin have been gathered to watch. The children walk around us in a pack, sniffing, running towards us and back again to their circle. Worn, brown leather pouches hang around their necks, swaying with their movement.

"On with the American machine, down with grass and trees!" Dad said. I laughed, because, for fuck's sake, why was it time to turn the vacant lot next door into a new parking lot? The town was nothing BUT parking lots. We had just found out about the city’s decision, which gave me a helpless feeling.

It was inside the desk where she hid all of her secrets. On the surface were the objects that immediately spoke of the history she didn’t want to hide. The mahogany pencil boxed, handmade and carved with intricate leaves and vines, given to her by her grandmother on the day of her high school graduation; the framed photo of her grandmother, who did not live to see her college graduation; and her favorite coffee mug, the one she says she can’t work without.