Since Parasite won Best Picture last year, spaces of civilization have become complicated. Formerly innocuous spaces, like grocery stores and fast food restaurants, now feel dangerous. Right now, a lot more of civilization is emptier than normal. This isn’t (and hopefully won’t) always the case. I miss when my edges of civilization were spaces relegated to the screen, landscapes home to characters usually driven by chance and desire. Revenge is another common thread through these films, whether it involves economic revenge (Hell or High Water), Sad Max revenge (The Rover), or drugged-out Nicolas Cage revenge (Mandy). All depict characters and society on the verge of becoming ghosts, but I think the some of the best examples of this dividing line are Fargo, It Follows, and Leave No Trace.