100 WORD FILM REVIEWS / Curtiz

Bogart and Casablanca may be synonymous, but Curtiz shows Hungarian director Michael Curtiz living the role that made Bogart a star, quietly standing against hyper-patriotism in American and abroad. The film’s structure, dialogue, and character arcs make numerous allusions to Casablanca itself, including the colorful cast of misfits on set, making Rick’s Café feel as real as ever. But it’s Ferenc Lengyel’s depiction of Curtiz that shines brightest. He is the classic Bogart outsider—brooding and deeply flawed yet making the hard, heroic choices. By ending Casablanca his way, Curtiz makes as many enemies as friends, but achieves cinematic history.

FILM / Zora's Super Short Show / Late Expectations / Zora Satchell

Coming out is never an easy experience. Even in the best-case scenario, it is incredibly nerve-wracking. You have to weigh the expectations of others and decide if you’re ready to live in your truth in the face of homophobia. For India, our main character in Late Expectations (written and starring Thais Francis and directed by Laura Arakaki), the stakes could never be higher as she debates coming out to her boyfriend the weekend of her high school graduation.

100 WORD FILM REVIEWS / VFW

Stephen Lang. William Sadler. Fred Williamson. Martin Kove. David Patrick Kelly. George Wendt. When’s the last time you’ve seen these actors have so much fun in a movie? VFW is a gory siege film with a pulsing Carpenter-esque score about war vets defending a young woman who’s stolen a gang’s cache of drugs. However, audiences won’t care for her unlikeable character. Harsh blue-red lighting and flat villains also affect overall enjoyment. Because of the charisma, natural dialogue, and camaraderie Lang and co. bring, I’m willing to overlook VFW’s flaws and go along for the ride. Because it’s still pretty badass.

One of her recent hikes began with a subtle incline, the path winding through the woods until it eventually ended high upon a cliff, running smack into the river, far below. Peering down at the water, though not nearly as high as the Hanglider Lookout, she must recall staring up this exact cliff from the sundeck of her boat as it cruised by last summer.

"That's a lot of time spent. It's a nice song with something to it." The old man smirked through the crackle and smell of a freshly lit cigarette. "If you like, we could run up the hill here and see. Maybe there's a place for you. A chance to use your gift - a time to call your own - an audience out there. Travel. Lots of people could hear you play."

My dad, who had good intentions but didn’t quite understand my aesthetic, took me to see several vehicles. They were the kinds of vans a stressed-out mom in her forties, who wears light wash, straight leg denim and thinks beige is an acceptable color for a car, would buy. I scrunched up my nose, rolled my eyes, and sighed with disgust at vehicle after vehicle. I didn’t care about what was safe or had good gas mileage.

They move to the back of the store to, thank god, the bathroom that doesn’t really lock. The door is already partially open. White Trash’s foot must have kicked it when he fell. That is where is now; on his back, his face contorting with discomfort. A black pistol is visible on the floor, nudging against the White Trash hat. A gold bullet casing rests in the corner. Everything about the boy is now revealed on the dirty bathroom tile.