Mother says, I’m going to hell.
Daughter says, There’s no such thing.
Mother screams, There’s no such thing? Well, then you’re an atheist! I was right!
Mother says, I’m going to hell.
Daughter says, There’s no such thing.
Mother screams, There’s no such thing? Well, then you’re an atheist! I was right!
“So, you’re the best friend,” the boyfriend says, sliding his arm around the back of Ellie’s chair. I briefly consider how quickly I might grab my steak knife and sever the digits of his right hand now making tiny circles on her shoulder.
the world outside our
window a jarful of beads;
capped, jangling.
I am like the strand hanging from the sleeve
of an old sweater—I snag on the same
sound each night. Keep pulling, I will fall apart.
Jonathan doesn’t respond to the employee. Through the box, he begins to blindly mash the buttons on the machine. His second hand sails through the cardboard and grips the joystick. He swings it violently, still blind to the screen.
As I mentioned, Lovesick’s tone walks a tightrope between humor and melancholy, which is underscored by the episode’s theme: the hollowness that comes from prioritizing sexual wants over personal needs. After the party, Luke learns that Ilona isn’t the person he made her out to be, and the next morning, Evie wakes up to a regretful Dylan. She has to come to terms that by having sex with her best friend, she might have just ruined her future marriage.
Arachne knew that history was a tale told by the victors and human relationships and choices were far too complex to follow a logical line from one act to the next. The very fact she was sitting at a table loom in a single bedroom shack on the Gulf Coast of Mississippi with her father knocking at death’s door and her mother trying to keep the door shut on the other side was proof enough of the complexity of the fickle machine of causality.
It was as sweet and fleeting as those cherry cones. Only both of them had horizons to chase, and so much sugar dulled the senses, made truth harder to savor. Did Kate honestly bask in their banter; were they joking with the same flavor?
But even with twenty two kisses of saliva
And thorough stirring,
The mixture is thick and grainy,
And turns my gentle sunrise into
Something my hand didn’t wish for.
the first time the crown vic showed up at my house
it was because your car was parked out front & because you were leaning
over me by the front door
& my all-american skin burned white-hot because it meant
the neighbors saw & because it meant they saw you & screamed
& they saw me holding your hand
Here in California I have been struggling to write, building dollhouses, watching The Haunting of Bly Manor, and rereading House of Leaves. I hope you are all watching and reading and writing things that make you happy, but if you’re not, that’s ok too.
took him in from a narrow window of pudgy arms and a cloud of B.O. As he tracked towards me, his expression was stiff, desolate, his movement unnaturally smooth, as if he was suspended in some metaphysical expanse, unhindered by the friction of the boardwalk. We made eye contact, and it was as if I was just another face in the crowd: a cagey California blonde, a Parisian bon vivant, a stoned high schooler in search of a good time — anybody but his daughter.
turning the lake surface – also borrowed- 
from gloss to matte while you 
sip badly brewed coffee from a 5 cup
pot- this is yours-
By the time I get down to the basement, Jimmy and Kenny are already playing a new Sonic the Hedgehog game I’ve never seen before. Since I don’t remember buying it, and since my son doesn’t have any way to purchase it himself, that only leaves Kenny. But where he got the money is just as much of a mystery. It’s been four months since Kenny got fired from his baker’s job at Value King, and he hasn’t worked a day in that time.
A fresh paper is bagged,
Thrown, rained on, frozen,
Picked up, and unfolded.
It itched the snowfog
high out
on the dandruff shoulder
of the mountainside’s
dark pelt.
Looking back on our “relationship” it’s easy to identify the moments where I should have known better or listened to my intuition. I made so many excuses for you in my heart, but my brain always knew better. My thinking I should leave wouldn’t suffice for my heart. I had to know I was done before I could wrap it up.
think of the astronauts, boots nestled
in lunar dirt, poofing their way over
the porous surface. think about artemis
The father had trudged up the small hill with a cooler full of Stag beers that he had planned to open once the station wagon was free of fishing tackle and beat up plaid suitcases. The girl had walked up the wooden uneven planks paying attention to the ground, so she could avoid snakes. Last year a corn snake had slithered across her toes. The mother slowed her steps when she saw it.
In Badassery, three black women DJs (Cookie Doh, Killa Kels, and Lissa Monet) try to create and sustain space for themselves in a misogynistic environment where only one female DJ can come-up at a time. Having been in the Toronto music scene for years, directors Sunita Miya-Muganza and Sarafina McIntosh made this short to shine a light on women who have moved the Toronto music scene forward. The short lands at twenty- two minutes and acts as a summary for these three women’s careers. DJ Cookie Doh is the rookie of the three, whereas DJ Killa Kels and DJ Lissa have deals with Nike and run their own booking companies.