He nodded and the rest of our little congregation nodded along with him. Part of me ached to blunt the edges of my mind that were returning with sobriety, to dull the edges of awareness with weed and fade into the happy place everyone else seemed to be in. The other half remembered that I had promised my mom I’d do my best to be good.

But then, the side of me that has been damaged, the side of me that feels too much, the side of me that battles mental illness and trauma, makes its presence felt, and I can no longer appreciate the value of training our paramedics and police officers to respond to an active shooter, because doesn’t anyone see that this is treating the symptom and not the cause?

Then she was a child in an ancient woman’s body in a hospital bed staring out the window at the reeds still snow-covered in March and I was a child in a young woman’s body staring at her. Her tongue and hands, those old weapons, now frozen, all parts of her nearly extinguished, I could have felt peaceful or forgiving or vengeful but instead I felt sorry, terribly sorry, an apology blooming in my chest like a bouquet of knives.

“Have you seen the kids lately, James?” I asked. Not because I wanted to know about the kids. They were doing normal kid things, like going to piano lessons and auditioning for the lead in the school play. But because I couldn’t help but wonder if, in their absence, James had become a tangle of wires left in a junk drawer.

Nick stood, his ripped jeans and ratty T-shirt swallowing his lanky frame, and walked over to the stereo. At the press of a few buttons, Radiohead’s “Karma Police” filled the room. It was his favorite song; He was a fan of the entire CD, applauding what he called its “progressive melding of dissonance and harmony” and “lyrical rejection of normative behaviors.” Shelley didn’t really get it but nodded along thoughtfully to his interpretation.