Universal Pictures and Blumhouse Productions give a face-lift to the classic H. G. Wells tale, less science fiction and more thriller. The updated narrative follows Cecilia (Elizabeth Moss), a trauma survivor who must convince those around her that she is not insane in her belief that her abusive husband is still haunting her—despite evidence that points to his alleged suicide. Leigh Whannell effectively sustains tension through the use of long takes and suggestion. Scares in certain scenes, however, become less effective due to the revealing trailer. Overall, Cecilia’s ordeal leads to a satisfying conclusion, steeped in empathy and female empowerment. 

I already thought The Turning was the worst horror film so far this year, but this pretentious slow burn supersedes it. Although directed and acted competently, The Lodge sinfully features a terrible script. Only its prologue is shocking, the rest a hodgepodge of weak dialog, empty religious symbolism, and a conceit that cannot stand on its own. Even its “twist” leaves no sympathetic characters to connect with. In fact, the film may be seen as offensive in its portrayal of mental illness, trauma victims, and religion. The Lodge is a cold film that slogs on toward its inevitably bleak conclusion.