Ultimately Cats doesn’t fail on its plot or lack thereof. I think it falls apart on this question of falseness versus realness, and what it is exactly the filmmaker expects from the audience, and where we are allowed to insert our own imaginative work into the story-telling endeavor. All cinema (and all storytelling art) hinges on a mutually agreed-upon suspension of disbelief. But Cats can’t decide what it wants us to believe. . . The tagline for this film is “You will believe,” but I’m pretty sure the failure of belief isn’t just with us.