I get caught in the headlights
of our love, and moon about intersections
like a lost traffic cone, orange and useless.
I get caught in the headlights
of our love, and moon about intersections
like a lost traffic cone, orange and useless.
Nothing was ever just the wind or the house settling or probably nothing ever again would be afterwards. Our wait for silence was actually a vigil for the noise we had so missed.
I plunk my keys onto the entryway hook, noticing the stack of newspapers I have been collecting for the last few weeks have disappeared. “Me scare the hell outta you?” I ask, clicking the door closed behind me. “You’re in my apartment.”
He explained that that the house was haunted by many ghosts, and each had a backstory that he’d surmised from communicating with them. One of these ghosts was Chloe, an abandoned child with an affinity for playing with a yellow bouncy ball, which she would move of her own accord. He tossed the yellow ball into the center of the circle and all of us stared at it, waiting. A few minutes passed.
He fouls. He fouls over and over. We feel
bad about his fouling. We sing
Root root root for the home. Home has plates
for everyone, and one diamond.
Call me Biter:
rubber and blood,
just an accident.
It wasn’t long before Harold was predicating. Speaking in short sentences, Harold confirmed what his preliminary remarks had foreshadowed. “This kibble’s stale.” “My water’s warm.” “Lower taxes trickle down.”
Five minutes turn into ten minutes turn into forty while thin tendrils of blood are running across His arm, down His hand, and he’s crying because His ‘go-to’ has finally collapsed from hundreds of jagged needles, missed shots, and dehydration.
The man met her gaze with rheumy eyes that welled with fresh tears. Justine felt her own throat tighten as she spoke in hurried, hushed tones. “My mother’s an invalid. We can’t travel. But you and your family could still book a flight, or just get in your car and drive. Get as far away as you can before it happens.”
It’s Las Vegas in the mind,
so everything stays there.
It’s honor. It’s horror. Divorce,
fake as it is, bloody on the dash.
Gabriel Ricard on some of the most infamous cult horror classics of all time in his latest Captain Canada’s Movie Rodeo column.
Another. You’ll be just another in the crowd, fingertips pressed to the window pane and you’ll step inside our shop, buy cards and absinthe and oils, and I’ll keep twirling, pour fake tea from kettle, I’ll perform for you--blonde skulled and tiny. Quiet my throat. Pink lace gripped at my little wrists like teeth.
I start to walk away, but I pause, trying to convince myself that we haven’t just crossed a line. Alone time without Juno’s consent is forbidden. We are restricted from socializing outside the jurisdiction of our appointed duties.
My wolf, I have your four long legs
but I have not learned to run. My wolf,
some scents are missing, in the tapestry
It was around July 4th, as I immersed myself in Holcomb, Oklahoma. Holcomb was not a big or even mid-sized suburb like Burbank, but it was a town where everyone knew each other with a downtown not unlike Burbank’s. Perry Smith and Dick Hickock shot the Clutters in the comfort of their home, in their own beds, at close range; in the face. Although the Clutters were targeted, rumored to have money, the randomness of the crime, in the middle of nowhere made me wondered when and where The Nightstalker would strike next.
Think of me as the
right moment to
bloom into sickness----
But we are better than what we run into.
We do not call out for the judgements, they just come
and come and come
and cross over us like birds uprooted,
fleeing something else.
There are people all over
this town with my
teeth marks in them.
When I fall, my head hits a desk,
leaves a gash. I dip my fingers
before heading to the nurse, show Mr. Crone.
Thin he answers.