For virtually as long as people have existed and kept records, they have returned to a single question. What does it mean to be human? Moreover, what does it mean to be an unique individual with self-awareness, gender, and a sexual identity? First theater, with the opportunity to portray fictional characters, tackled this question, most famously in Shakespeare’s “To be, or not to be” speech.

Mike’s great-grandmother and great-aunt decided to go to the cemetery on a Friday, and forced him to come along. He dawdled, playing in the sandbox with his orange plastic alien action figures, then pretended he could not hear when his great grandmother called. Finally, she came after him and asked him to go get a switch. “I’m gonna get a hold of ya. Get a big switch. You get a small one and it’ll be worse,” Milly, his great-grandmother, said, hands on her broad hips. At seventy she was plump, dark-tanned, wrinkled and strong. Mike remembered yesterday’s beating, after he had drunk her last Mellow Yellow. It had been hard, but short. 

“Welcome to the abode,” John boomed.

Mark found John in his usual state: The will-o’-wisp floating in the centre of the room. His naked form perched on a mountain top of rug and fur. His feet rummaging endlessly in a shag pile beneath his toes. His right and left hands fingering the invisible strings of a most exquisite instrument, while a large vein protruded from his abdomen and bulged in syncopation with his silent symphony; throbbing, it traced upwards past his thorax, found his neck and disappeared into his gaunt face, which surveyed his gaudy kingdom.

Buenos Aires, 1992: 

It’s a sultry February here below the equator, where Nazis are harbored, where machismo reigns. Where Argentina’s middleweight boxing champion, Carlos Monzón, flung his wife out the window to her death. “My dinner was late for the second night in a row,” Monzón explained. 

Me? I’m sharpening my housewifery skills. 

When Kate was twelve years old, she started to shrink.

Her parents didn’t notice for several months, until she stood against the kitchen doorpost and the crayon balanced on top of her head created a line that was an inch below the one from six months earlier. “Maybe we marked it wrong last time,” her mother said. “Maybe you were wearing shoes last time,” her father said, looking down at her sternly. “I think my feet are getting smaller,” Kate said.

Guys, I think I’m finally over Tim Burton.

“What took you so long?” is the response I’ve been getting from at least a few people. I don’t know if that’s fair. Burton’s work from about 2000 onwards has been consistently inconsistent. We get a movie like Big Fish or Sweeney Todd. Then we get wretched turd carnivals like Dark Shadows or Alice in Wonderland, or we get something that’s not terrible per say, but also ends up being oddly unsatisfying.

The default turf where I encounter Artificial Intelligence is on the chess board – the virtual board. That is where I meet and play Chess Titans, muted, stoic, and non-living according to scientific taxonomy but conscious, even self-conscious. Which should tilt the single criterion for classifying living and non-living more towards ABBA’s in Move On:

What really makes the difference
between all dead
and living things - 
the will to stay alive.