Mike’s great-grandmother and great-aunt decided to go to the cemetery on a Friday, and forced him to come along. He dawdled, playing in the sandbox with his orange plastic alien action figures, then pretended he could not hear when his great grandmother called. Finally, she came after him and asked him to go get a switch. “I’m gonna get a hold of ya. Get a big switch. You get a small one and it’ll be worse,” Milly, his great-grandmother, said, hands on her broad hips. At seventy she was plump, dark-tanned, wrinkled and strong. Mike remembered yesterday’s beating, after he had drunk her last Mellow Yellow. It had been hard, but short. 

“Welcome to the abode,” John boomed.

Mark found John in his usual state: The will-o’-wisp floating in the centre of the room. His naked form perched on a mountain top of rug and fur. His feet rummaging endlessly in a shag pile beneath his toes. His right and left hands fingering the invisible strings of a most exquisite instrument, while a large vein protruded from his abdomen and bulged in syncopation with his silent symphony; throbbing, it traced upwards past his thorax, found his neck and disappeared into his gaunt face, which surveyed his gaudy kingdom.

Buenos Aires, 1992: 

It’s a sultry February here below the equator, where Nazis are harbored, where machismo reigns. Where Argentina’s middleweight boxing champion, Carlos Monzón, flung his wife out the window to her death. “My dinner was late for the second night in a row,” Monzón explained. 

Me? I’m sharpening my housewifery skills. 

When Kate was twelve years old, she started to shrink.

Her parents didn’t notice for several months, until she stood against the kitchen doorpost and the crayon balanced on top of her head created a line that was an inch below the one from six months earlier. “Maybe we marked it wrong last time,” her mother said. “Maybe you were wearing shoes last time,” her father said, looking down at her sternly. “I think my feet are getting smaller,” Kate said.

Guys, I think I’m finally over Tim Burton.

“What took you so long?” is the response I’ve been getting from at least a few people. I don’t know if that’s fair. Burton’s work from about 2000 onwards has been consistently inconsistent. We get a movie like Big Fish or Sweeney Todd. Then we get wretched turd carnivals like Dark Shadows or Alice in Wonderland, or we get something that’s not terrible per say, but also ends up being oddly unsatisfying.

The default turf where I encounter Artificial Intelligence is on the chess board – the virtual board. That is where I meet and play Chess Titans, muted, stoic, and non-living according to scientific taxonomy but conscious, even self-conscious. Which should tilt the single criterion for classifying living and non-living more towards ABBA’s in Move On:

What really makes the difference
between all dead
and living things - 
the will to stay alive.

And then Gaddafi came in, totally in drag. Not just eye shadow, which he was famous for, but a full evening dress, pearl necklace, and hose. Rouge on his cheeks. Four burly female bodyguards tailed him, holstering guns. Besides the slight dip in volume of conversation, no one at the party acted like anything was askance. Gaddafi’s were lips the red, it occurred to me, of that "Say goodbye a little longer" chewing gum, and it was that commercial jingle that played in my head as I watched him walking in heels like he practiced it.

PODCASTDrunk Monkeys RadioLogan

::SKINT!:: The Drunk Monkeys Radio crew unleashes their claws for a review of Hugh Jackman's last film as Wolverine in LOGAN. Also on the show, reviews of Kong: Skull Island, Get Out, and a look at some of the most reluctant mentors in film history.