Guys, I think I’m finally over Tim Burton.

“What took you so long?” is the response I’ve been getting from at least a few people. I don’t know if that’s fair. Burton’s work from about 2000 onwards has been consistently inconsistent. We get a movie like Big Fish or Sweeney Todd. Then we get wretched turd carnivals like Dark Shadows or Alice in Wonderland, or we get something that’s not terrible per say, but also ends up being oddly unsatisfying.

The default turf where I encounter Artificial Intelligence is on the chess board – the virtual board. That is where I meet and play Chess Titans, muted, stoic, and non-living according to scientific taxonomy but conscious, even self-conscious. Which should tilt the single criterion for classifying living and non-living more towards ABBA’s in Move On:

What really makes the difference
between all dead
and living things - 
the will to stay alive.

And then Gaddafi came in, totally in drag. Not just eye shadow, which he was famous for, but a full evening dress, pearl necklace, and hose. Rouge on his cheeks. Four burly female bodyguards tailed him, holstering guns. Besides the slight dip in volume of conversation, no one at the party acted like anything was askance. Gaddafi’s were lips the red, it occurred to me, of that "Say goodbye a little longer" chewing gum, and it was that commercial jingle that played in my head as I watched him walking in heels like he practiced it.

PODCASTDrunk Monkeys RadioLogan

::SKINT!:: The Drunk Monkeys Radio crew unleashes their claws for a review of Hugh Jackman's last film as Wolverine in LOGAN. Also on the show, reviews of Kong: Skull Island, Get Out, and a look at some of the most reluctant mentors in film history.

“Again.” I waited for his response, anticipating a sigh.

“Again?” John checked his mirrors and signaled his emergency lights, but no sigh. There’s a plus.

“Oh, yes, again. Pull over,” I muttered, reaching for the paper towels. As I looked away, I felt his stare penetrating me. Too commanding, too bossy, too everything, once again. I knew. 

I have, over the last month or so, been forced to consider the penis a bit more than I would like. I mean, I have nothing against penises, but boy oh boy, do you guys like to write about them. And talk about them. And reference them. All the time. Every day. The amount of submissions we receive that are totally centered around the gratification of dick is… well, I should say it is shocking, but it isn’t, really. And one can argue all writing is masturbatory, all writing is navel gazing, but I don’t necessarily believe that. I mean yeah, maybe if this was the movie Wonder Boys or something (I did not read the novel).

“Call me right now! I can’t believe you lied to me AGAIN!!!!!!!!!!”

It was Friday at 3:42 pm. I was in a meeting when I felt my phone vibrate. Sheer panic is a very appropriate descriptor of my emotions at that exact time. Mix in a healthy dose of shame, disgust, self-loathing and add a bit of self-preservation. She knew. I had contacted the woman I cheated with after promising I would never do so again. And now she found out. How could I mitigate this? And could I lie to cover it up? Only to protect her, of course.

The Oscars have been over for a while, and I find myself thinking about the way the awards doom otherwise good movies to unreasonable scrutiny, and ultimately, dismissal. There is a long list of Best Picture winners that I personally wouldn’t call the best movie of the year. In many cases (for some reason, I keep thinking of The Artist right now), I wouldn’t even call them the best movie amongst the nominees for that year. Despite the fact that no one allegedly cares about the Oscars, Best Picture winners tend to piss off an awful lot of people.

In the very center of the grassy commons stands a regal statue of Thaddeus Wallace. One hand grasps a weighty tome while the other thumbs a jacket lapel. Wallace University’s founder faces the administration building and oversees the comings and goings of all students, but his bronzed eyes aren’t the only pair watching. Waiting. Looking.