All in Film

100 WORD FILM REVIEWSThe Little Stranger

Sean Woodard
Film

The Little Stranger contains everything that should result in an intelligent gothic chiller: atmosphere, methodical pacing, and a character-driven drama that hints at something grander beneath its surface horrors. Through its luscious cinematography, dense script, and acting strengths—Will Poulter is particularly excellent as a burned and shell-shocked war veteran—the film does an extraordinary job examining gender and 1947’s English class structure. Yet, the film is nearly derailed by its perplexing central conceit—is it a ghost or something else? By removing the horror elements, the film may have been a more effective standalone period piece about class relations and mental illness.

100 WORD FILM REVIEWSHalloween (2018)

Kolleen Carney
Film

You don't have to be a fan of the original Halloween series in order to enjoy the new sequel; you really only have to like the first one, because everything after that is disregarded. Even a couple missteps and a strange bowl of party pudding (I mean what?!) don't detract from what is a pretty solid addition to the franchise, with plenty of gory nonsense to get you excited for the spookiest season of all. Jamie Lee Curtis is a treasure. We don't have to protect her, though; she's got it under control.

100 WORD FILM REVIEWSSearching

Matthew Guerrero
Film

There are no shortage of films addressing the way we gather information in the age of social media, but what makes Searching more than just a gimmick (the film is told entirely through computer and phone screens) is the fine editing work and the multi-layered performance of John Cho as the missing girl’s father. Cho never goes big, and because we believe him we go along with some fairly hoary plot devices (the moment where we switch devices to follow along a car on Google Maps is unintentionally hilarious) to deliver a shockingly resonant narrative and emotional payoff. 

100 WORD FILM REVIEWSThe Happytime Murders

Kolleen Carney
Film

The Happytime Murders is Meet the Feebles-lite, and while it's obvious scenes have been scrapped for whatever reason (I'm guessing time), it's still a worthwhile movie to watch if you're not in the mood to think too much while having a few guilty laughs. Melissa McCarthy delivers as Edwards and Bill Barretta once again shows his puppetry mastery as Phil, her curmudgeonly ex-partner. Come for the murder mystery, stay for the copious amounts of puppet ejaculate.

100 WORD FILM REVIEWSThe First Purge

Sean Woodard
Film

What may have begun as an interesting concept has devolved into repetitive ilk. I don’t think anyone who wanted another Purge movie, and yet people flocked out to see it this week. I don’t know which was weaker: the characters, the social commentary, or the thrills. The film explores how the Purge evolved from a social experiment on Staten Island, where participants would receive a monetary stipend for their participation. I feel the cast and crew did the same when Hollywood asked them to make this film. The film’s one redeeming quality is that it emphasizes the importance of community.

100 WORD FILM REVIEWSAnt-Man and the Wasp

Drunk Monkeys Film Department
Film

Paul Rudd is a being composed of charisma and genial good humor, and that’s never more apparent then when he shares the screen with two of the most pissy and uninteresting characters in all of the Marvel Cinematic Universe: Hank Pym, played by Michael Douglas, and Hope van Dyne, played by Evangeline Lilly. But even Rudd’s considerable charm isn’t enough to distract from the fact that the only people worth paying attention to: Hannah John-Kamen’s Ghost and Michelle Pfeiffer’s Janet van Dyne, get the least screen time. I’d rather have spent two hours with Randall Park’s put-upon FBI agent. 

100 WORD FILM REVIEWSGotti

Drunk Monkeys Film Department
Film

Gotti isn’t a good movie, but I urge people to see it. It's rare to see something this incompetent in theaters, starring an actor as well-known as John Travolta. Travolta's credit inexplicably appears over footage of the real Gotti, forcing the audience to think "Well, they don't really look alike", before they've had a chance to get invested. The rest of the film offers scenes that have no connection to those before or after them. Worse, you'd have to be an expert on the infamous mob boss to understand half of what is going on. Travolta tries his best, though.

100 WORD FILM REVIEWSNanette

Kolleen Carney
Film

You've probably heard people talk up Hannah Gadsby's Nanette, and if you're like me you sorta shrugged it off for a bit, but then smartened up and watched it and sobbed into a blanket for like, twenty five minutes. Hannah takes the act of a comedian turning their pain into humor and stomps it into the ground. I can't do this any justice -- it's something everyone should experience.

100 WORD FILM REVIEWSLeave No Trace

Drunk Monkeys Film Department
Film

There have been many on-screen depictions of PTSD over the last few years, but none as well realized as Leave No Trace, because writer/director Debra Granik sees--correctly--the disorder as not just something that changes the perceptions of those afflicted, but completely upends the family dynamic. Ben Foster doesn’t rely on the now-familiar actor’s tropes of PTSD, but instead carries a weight that we see his daughter, newcomer Thomasin McKenzie in a brilliant performance, forced to bear. Their subtle work makes the ending, which you should have tissues on hand for, the only possible route either character can take.

100 WORD FILM REVIEWSJurassic World: Fallen Kingdom

Matthew Guerrero
Film

Don’t watch Jurassic World: Fallen Kingdom. I mean it. There’s nothing snarky or bitter about this advice. Don’t see the movie. Because if you see the movie, they will make more movies just like it. Movies in which not only are characters and plot jettisoned in favor of spectacle but the spectacle itself is flat, meaningless. Hollow. And you, yes YOU reading this review, have the power to stop all of that. Just don’t see it. That’s all. Make tomorrow a better day by making it a day in which you do not watch Jurassic World: Fallen Kingdom. 

100 WORD FILM REVIEWSWon't You Be My Neighbor?

Matthew Guerrero
Film

100 words can’t contain my own love for Fred Rogers, nor can ninety minutes sum up the most extraordinary, and unlikely, of American lives. Morgan Neville’s documentary is at its best when focusing on footage of Rogers himself, from his stirring address to Congress in 1969 to his post-9/11 PSAs. The film stops just shy of hagiography, and moves too neatly past Rogers’ reticence to address gay rights, but leaves the audience with a grace note that gently confronts each of us with blessings we’d forgotten we’d received—blessings like the life and work of Fred Rogers himself.

100 WORD FILM REVIEWSPope Francis: A Man of His Word

Matthew Guerrero
Film

If you’re interested in understanding Pope Francis the man you’ll be better served by any of the surprising number of biographical documentaries available on Amazon Prime. Wenders isn’t making a personal history, though he does go to great lengths to link the former Cardinal Jorge Mario Bergoglio to his namesake, Francis of Assisi. The film, really, is a platform for the genial pontiff to call for mercy combined with action, though its scattershot approach leaves little time for nuance, which seems to be what the Pope is suggesting our chaotic times need most.

Load More